Top 10 Womens Health Issues and Causes of Death

When it comes to womens health, what are the top 10 womens health issues you should be concerned about? According to a 2004 report by the U.S. Centers for Disease Control, the conditions described below are the top 10 leading causes of death in females. The good news is that many are preventable. Click on the headings to learn how to reduce your risk: 27.2% of deathsThe Womens Heart Foundation reports that 8.6 million women worldwide die from heart disease each year, and that 8 million women in the U.S. are living with heart disease. Of those women who have heart attacks, 42% die within a year. When a woman under 50 has a heart attack, its twice as likely to be fatal as a heart attack in a man under 50. Almost two-thirds of heart attack deaths occur in women with no prior history of chest pain. In 2005, the American Heart Association reported 213,600 deaths in women from coronary heart disease.22.0% of deathsAccording to the American Cancer Society, in 2009 an estimated 269,800 women will die of cancer. The leading causes of cancer deaths in women are lung (26%), breast (15%), and colorectal cancer(9%).7.5% of deathsOFten thought of as a mans disease, stroke kills more women than men each year. Worldwide, three million women die from stroke annually. In the U.S. in 2005, 87,000 women died of stroke as compared to 56,600 men. For w omen, age matters when it comes to risk factors. Once a woman reaches 45, her risk climbs steadily until at 65, it equal that of men. Although women arent as likely to suffer from strokes as men in the middle years, theyre more likely to be fatal if one occurs.5.2% of deathsCollectively, several respiratory illnesses that occur in the lower lungs all fall under the term chronic lower respiratory disease: chronic obstructed pulmonary disease (COPD), emphysema, and chronic bronchitis. Typically, about 80% of these diseases are due to cigarette smoking. COPD is of particular concern to women since the disease manifests differently in females than males; symptoms, risk factors, progression and diagnosis all exhibit gender differences. In recent years, more women have been dying from COPD than men.3.9% of deathsSeveral studies involving European and Asian populations have indicated that women have a much higher risk of Alzheimers than men. This may be due to the female hormone estrogen, which has properties that protect against the memory loss that accompanies aging. When a woman reaches menopause, reduced levels of estrogen may play a role in her increased risk of developing Alzheimers.3.3% of deathsUnder unintentional injuries are six major causes of death: falling, poisoning, suffocation, drowning, fire/burns and motor vehicle crashes. While falls are of significant concern to women who are frequently diagnosed with osteoporosis in their later years, another health threat is on the rise -- accidental poisoning. According to the Center for Injury Research and Policy at Johns Hopkins, in a six-year study between 1999 and 2005, the rate of poisoning deaths in white women age 45-64 increased 230% as compared to the 137% increase experienced by white men in the same age. Diabetes3.1% of deathsWith 9.7 million women in the U.S. suffering from diabetes, the American Diabetes Association notes that women have unique health concerns because pregnancy can often bring abou t gestational diabetes. Diabetes during pregnancy can lead to possible miscarriages or birth defects. Women who develop gestational diabetes are also more likely to develop Type 2 diabetes later in life. Among African American, Native American, Asian American women and Hispanic women/Latinas, the prevalence of diabetes is two to four times higher than among white women.and2.7% of deathsPublic awareness of the dangers of influenza has spiked due to the H1N1 virus, yet influenza and pneumonia have posed ongoing threats to elderly women and those whose immune systems are compromised. Pregnant women are especially vulnerable to influenzas such as H1N1 and pneumonia.1.8% of deathsAlthough the average woman is less likely to suffer from chronic kidney disease than a man, if a woman is diabetic, her chance of developing kidney disease increases and puts her equally at risk. Menopause also plays a role. Kidney disease occurs infrequently in premenopausal women. Researchers believe that estr ogen provides protection against kidney disease, but once a woman reaches menopause, that protection is diminished. Researchers at Georgetown Universitys Center for the Study of Sex Differences in Health, Aging and Disease have found that sex hormones appear to affect non-reproductive organs such as the kidney. They note that in women, the absence of the hormone testosterone leads to a more rapid progression of kidney disease when they are diabetic.1.5% of deathsThe medical term for blood poisoning, septicemia is a serious illness that can rapidly turn into a life-threatening condition. Septicemia made headlines in January 2009 when Brazilian model and Miss World pageant finalist Mariana Bridi da Costa died from the disease after a urinary tract infection progressed to septicemia. Sources:Deaths From Unintentional Injuries Increase For Many Groups. ScienceDaily.com. 3 September 2009.Estimated New Cancer Cases and Deaths by Sex, United States, 2009. American Cancer Society, caonline.amcancersoc.org. Retrieved 11 September 2009.Heart Disease and Stroke Statistics - 2009 Update at a Glance. American Heart Association, americanheart.org. Retrieved 11 September 2009.Leading Causes of Death in Females, United States 2004. CDC Office of Womens Health, CDC.gov. 10 September 2007.Women and Diabetes. American Diabetes Association, diabetes.org. Retrieved 11 September 2009.Women and Heart Disease Facts. Womens Heart Foundation, womensheart.org. Retrieved 10 September 2009.Women More Likely To Suffer Kidney Disease If Diabetic. MedicalNewsToday.com. 12 August 2007.

Ancient Nuclear Weapons (Indus Valley) - 7132 Words

A ncient A tom Bombs Ancient Atom Bombs Fact, Fraud, and the Myth of Prehistoric Nuclear Warfare Contents I. The Myth of Ancient Atomic Warfare 1 II. The First Ancient Atomic Bomb Theories 4 III. The Tesla Death Ray 13 IV. Big Theories, No Evidence 16 V. What It All Means 20 Works Cited 24 ANCIENT ATOM BOMBS? ââ€"  1 I. The Myth of Ancient Atomic Warfare I N FEBRUARY 2008, GLOBAL DIGNITARIES gathered to inaugurate the Svalbard Global Seed Vault, a repository for plant life designed to withstand nuclear war so survivors could restart civilization with healthy seeds. Magnus Bredeli-Tveiten, who oversaw construction of the vault, told the Associated Press that he expected it†¦show more content†¦However, the authors’ 1979 book, 2000 a.C. Distruzione atomica (Atomic Destruction in 2000 BC), was not a scientific paper but another work of pseudoscience, ANCIENT ATOM BOMBS? ââ€"  5 unrecognized by academia. There is to date no evidence of nuclear explosions prior to 1945. Instead, the earliest reference to prehistoric nuclear warfare appears to be the Soviet mathematician and ethnologist Matest M. Agrest, who argued in 1959 that Sodom and Gomorrah had been destroyed by nuclear bombs from alien spaceships. This claim was brought to the attention of the other side of the Iron Curtain through The Morning of the Magicians (1960), a French work by Louis Pauwels and Jacques Bergier which outlined one of the earliest complete (nonfiction) versions of the modern ancient astronaut t heory (see my eBook The Origin of the Space Gods) and, on page 122 of the 1963 English edition, offered outlandish claims about ancient nuclear warfare. We will examine their specific claims about ancient India momentarily, but first we turn to the other alleged prehistoric bomb blast--the one from the Bible. Biblical Bombs Those who support the theory of ancient atom bombs tend to be believers in a lost civilization like Atlantis or in extraterrestrial intervention in ancient history,Show MoreRelatedIndian History1899 Words   |  8 Pagessince 2500 B.C., when the inhabitants of the Indus River valley developed an urban culture based on commerce and sustained by agricultural trade. This civilization declined around 1500 B.C., probably due to ecological changes. During the second millennium B.C., pastoral, Aryan-speaking tribes migrated from the northwest into the subcontinent. As they settled in the middle Ganges River valley, they adapted to antecedent cultures. The political map of ancient and medieval India was made up of myriad kingdomsRead MoreCulture of Gandhara Civilization3679 Words   |  15 PagesCulture of Gandhara Civilization Gandhara is the region that now comprise of Peshawar valley, Mardan, Swat, Dir, Malakand, and Bajuaur agencies in the North West Frontier Province (NWFP), Taxila in the Punjab, and up to Jalalabad in Afghanistan. It is in this region that the Gandhara civilization emerged and became the cradle of Buddhism. It was from here that Buddhism spread towards east as far away as Japan and Korea. The intriguing record of Gandhara civilization, discovered in the 20th centuryRead MorePak Us Relations7976 Words   |  32 PagesFreedom fighters marched toward Sarinagar and occupied 6 miles territory. Unable to withstand the invasion, the Maharaja signed the Instrument of Accession that was accepted by the government of India on 27 October 1947. As the result of 1965 war the valley of Jammu and Kashmir has been divided in fourth parts: i) Ladakh and Jammu and Kashmir: This is Indian occupied territory. ii) Azad Jammu and Kahsmir: This is under in Pakistani administration iii) Northern Areas: Qarakaram, Gilgit, Biltistan Read MoreIncredible India3330 Words   |  14 Pagesvicinity of Sri Lanka and the Maldives, while Indias Andaman and Nicobar Islands share maritime border with Thailand and the Indonesian island of Sumatra in the Andaman Sea. India has a coastline of 7,517 kilometers (4,700 mi). Home to the ancient Indus Valley Civilization and a region of historic trade routes and vast empires, the Indian subcontinent was identified with its commercial and cultural wealth for much of its long history. 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The study reports a stark contrast between Western perceptionsRead MoreMedia Propaganda9887 Words   |  40 Pagesthe  Persian  throne is viewed by most historians as an early example of propaganda.[16]  Th e  Arthashastra  written by  Chanukah (c. 350 - 283 BC), a professor of  political science  at  Takshashila University  and a prime minister of the  Maurya Empire  in  ancient India, discusses propaganda in detail, such as how to spread propaganda and how to apply it in  warfare. His student  Chandragupta Maurya  (c. 340 - 293 BC), founder of the Maurya Empire, employed these methods during his rise to power.[17]  The writingsRead MoreOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 PagesWineburg, Historical Thinking and Other Unnatural Acts: Charting the Future of Teaching the Past Sharon Hartman Strom, Political Woman: Florence Luscomb and the Legacy of Radical Reform Michael Adas, ed., Agricultural and Pastoral Societies in Ancient and Classical History Jack Metzgar, Striking Steel: Solidarity Remembered Janis Appier, Policing Women: The Sexual Politics of Law Enforcement and the LAPD Allen Hunter, ed., Rethinking the Cold War Eric Foner, ed., The New American History

Discuss the relationship between literary and film versions of a particular ‘romance’ text Free Essays

When a reader reads a novel and then watches a movie based on the book, they take in two very different perspectives. The use of camera techniques within the movie creates the story from the director’s or script writers perspective, leaving the viewer only with one interpretation of the novel whereas when a reader reads the novel, he or she takes in a personal insight to the book and creates their own version to the narrative process. Wuthering Heights, written by Emily Bronte in the mid 19th century is a gothic novel which presents the love of Cathy Earnshaw and Heathcliff as a very innocent relationship whereby many people will see it as been a ‘teenage crush’. We will write a custom essay sample on Discuss the relationship between literary and film versions of a particular ‘romance’ text or any similar topic only for you Order Now The novel is structured around two key points (purposes): the strong male ‘hero’, and the romance between the hero and heroine (Cranny-Francis). Wuthering Heights is in many ways a romance novel (even though many critics choose not to agree). The term ‘romance’ according to the Oxford English Dictionary the term is defined as: A prevailing sense of wonder or mystery surrounding the mutual attraction in a love affair. Cathy and Heathcliff’s romance for one another is outside social due to economic circumstances therefore they do not marry even though their love for one another remains strong until the end of the novel (Cranny-Francis). The many movie versions made of Wuthering Heights have gotten a grasp on the main shared themes in the story yet however the differences between the two mediums is vital to the narrative structure. Heathcliff’s character been vital to the storyline (as he is the novels key point of focus) is very important when making the movie versions of Wuthering Heights as he brings out the audiences response (Haire-Sargeant). Previously, film versions of Wuthering Heights have in fact attempted to explain the character of Heathcliff in a way the audience can connect with this character and achieve their expectations. Directors have been doing this change by altering parts of the story so that Heathcliff’s character is not as evil as Bronte’s character in the novel is; or by leading the audience or the reader as Bronte does to take in Heathcliff’s good and wicked personality within his perspective. When Bronte wrote the novel, of course it had to have been linguistic. Movies however, cannot give the viewer every last detail that is in the novel and therefore have to adapt the book into a screenplay in order all the audience can understand its concept. Therefore changes and problems are created. The question which arises from every book turned into a movie becomes ‘does the movie mirror or replicate the context of the novel’ which in so many words is not possible. To get every last detail of a four hundred page novel down in the short space of two/ or three hours will confuse the viewer as movies unlike novels do not ask for an audiences creativity to form the story it is already done and bought to life on screen. The question at hand therefore should be ‘how does the movie engage audiences/ viewers attention? Does it succeed in its own way? (Haire-Sargeant) This analysis of Wuthering Heights will be explored in William Wyler’s 1939 version and also in Peter Kosminsky’s 1992 version of the book. From the beginning of the novel Heathcliff is bought into the story as diclassi. He is bought home by Mr Earnshaw and is just explained to be ‘from the streets – a gipsy’. His background remains anonymous to the reader throughout the book as well as the movies (Cranny-Francis). In the novel, Nelly Dean tells Lockwood the narrative from her personal insight to the family having been with them for three generations. However, in Wylers movie the story is presented by first generation of Earnshaw and Linton. In the book, Bronte makes Heathcliff’s character appear to be tall, dark, passionate, violent and uncivilised. Yet however, in Wyler’s version of Wuthering Heights he has cast Lawrence Olivier to play the character of Heathcliff. He is characterised differently in this movie in comparison to the novel. Wyler and Olivier present Heathcliffs emotions and the cruelty he has had to bear from Hindley a great deal. This 1939 version of Wuthering Heights is what Haire-Sargeant describes as been ‘holographic’. The movies framing brings the movie together to form together a masterpiece work. Wyler controls a black and white of delicately shaded tonality; the powerfully expressed emotional and spiritual touch. The story through the use of extreme emphasis on visuals presents open space in comparison to the settings described by Bronte in the novel. (Haire-Sargeant p. p. 170-173). Wyler’s movie has bought forth to the audience attention the connection between Heathcliff and Cathy and the emptiness of the world for both of them when not together (Hair-Sargeant). Peter Kosminskys 1992 version titled Emily Bronte’s Wuthering Heights did not achieve the audience response that the 1939 one received merely due to the fact of poor casting. French actress Juliette Binoche played both the characters of first generation and second generation Catherine. The controversy surrounding this poor casting was simply the fact that Catherine in Bronte’s novel was from an English background. To cast a French to play the role of an English girl was part of the reason of why the movie did not seem to do well. Another interesting casting in this movie was the actor who took on the role of Heathcliff: Ralph Fiennes. Although he did not look in the part with his refined features, he quite differently to Olivier’s performance of Heathcliff in the 1939 version presented a quiet, smiling torturer at play. This is a major personality characteristic of Bronte’s Heathcliff in the novel. The cruel personality of Heathcliff in this movie version cannot be understood to be an act of anger or personality as the Heathcliff played by Olivier presents. Different to the 1939 Wuthering Heights and the book by Bronte, in this version it is not Heathcliff who holds the narrative process together but rather it is Catherine. The story in this version gave the character of Catherine more maturity and power as opposed to in the book where Bronte seemed to present an immature ‘school-girl’ type of girl in the first generation Cathy’s personality. Yet the most important factor to consider is the fact that Binoche took on the role of both mother and daughter each been delivered differently and fitting in together with the story. Unlike the book where Bronte focuses a great deal of volume one on the first generations childhood, the book just touches on it and skims past them really quickly leaving the audience to fill in the gaps. For example Nelly Dean’s character in this movie only has a small role and does not state exactly who she is to the audience whereas in the book more then half of it is her narrative of the events circulating between the Earnshaws, Lintons and Heathcliff. Another example is the character of Hindley who is important to the novel. He fades off the screen as well as his wife, Frances, before the viewers’ notice what happened to them. Kosminskys main interest in this movie was to show the viewer the great love story between Cathy and Heathcliff. Yet he gave the audience little time to grasp the storyline as he wanted us to focus primarily on the main ‘stars’ without drifting the audiences mind towards other matters. Unlike Wyler’s version however, like the book the 1992 version presented both the second generation as well as Lockwood. The end of the movie showed second generation Cathy and Hareton riding together a happy couple getting married soon. This romance developed gradually over a period of time in the novel whereas in the movie it is one of the final shots. This refers back to the point made earlier about Kosminsky’s skimming over the lives of the characters in the story not letting the audience take in what is happening. Hareton’s character in this movie version did not have an important role nor did he make much appearance whilst he was a central character in the novel. The key strength of the movie however, is the use of only key subject matters in relation to the story to make it fit perfectly into the duration time of two hours (Haire-Sargeant). The use of settings, tone and music all contribute to the construction of the film. When a reader reads the novel they create their own interpretation and felt emotions in regards to what is happening in the texts, but however with movies comes the fact that we are witnessing all one set perspective of the story. Music and scenery are a major aspect of witnessing something before us especially on screen. It reminds the viewer of how they see what is real and what is not real, therefore forming and revealing the storyline. The use of screenplay and Hollywood touches adds more drama to the actual story, making the love story appear to be more realistic for viewers and more ‘romantic’ in relation to the novel where it is interpreted according to the readers’ imagination. The book allows readers to go beyond the linguistic and explore deeply into the plot, whereas the movie is set images on screen and it is up to the viewers to accept or reject the shared ideas or themes introduced by the screen play writer and the actors acting out the novels characters. Wuthering Heights the novel is a well structured novel, which explores everyone and every event in sufficient detail for the reader to comprehend the story. It gives the reader the impression that they are part of the dramas of the characters lives and the reader has a connection with each storyline. The movie because it is so fast paced and shorter then the novel, the viewer can not make that special connection which keeps them enticed as they are not using their imagination but rather their sight sense. In conclusion, going back to the question bought up earlier in regards to whether the two movie versions made of Wuthering Heights have brought to life the novels’ key strengths, the novel and the movie both are unique and interesting in their own set ways. Whilst the novel has been interpreted to be a Gothic novel with a metaphorical aspect of romance in it by many critics over the past centuries, the movie versions of this is novel is far from been described and categorised as been Gothic. It is a highly dramatic piece of work with a totally different presentation of the characters which Bronte firstly introduced in her 1800s novel. The novels plot thickens mainly around Cathy and Heathcliff and for a director to put this into action a lot of things need to be toned down as of the fact the story was written two centuries ago and the audience who view it in today’s society will vary in ages therefore it needed to be played down so the viewer can take in more of the story and the characters and walk away with the basic concept of what the book is about. The use of sadism in Heathcliff’s character is played down on in the movie versions of the novel, and although both the Heathcliff’s played out by Fiennes and Olivier are differently presented they both sum up the main plot of the un-dying love between Catherine and Heathcliff that Bronte sought to present in her book but however, each director displays this theme accordingly to his own personal interpretations of the story. How to cite Discuss the relationship between literary and film versions of a particular ‘romance’ text, Papers

Instant Noodles free essay sample

Even though Tingyi increased its selling price in April 2011 by RMB0. 50 per pack (average of 15%) to offset rising costs, Chinese consumers are incredibly loyal to Master Kong’s products largely because of the company’s brand awareness and market penetration. Therefore, Tingyi has no fear of losing market share especially since its competitors also have to increase selling prices under the stress of rising costs. Consequently, in line with China’s rising CPI, unit prices for instant noodles increased by 11% in 2010 and 9% in 2011. Master Kong, betting on China`s continually rising prosperity, aims to turn out more mid- and high-end instant noodles instead of bottom-end ones. Tingyi launched 12 new flavors (including â€Å"Northeast Stew,† â€Å"Da Lu Xiang Yan,† â€Å"Jiangnan Delicacy,† â€Å"Local Grills† and â€Å"Chen Pao Feng Yun†) last year in order to appeal to consumers’ regional preferences. Furthermore, Tingyi has focused on promoting its auxiliary brand, Shimianbafan, under the fried noodles category. We will write a custom essay sample on Instant Noodles or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page In addition, the current health trend has spread to China and offers great potential for Tingyi. As a result, Tingyi may consider developing healthier alternatives including non-fried noodles, rice noodles, and noodles with roughage grains. Tingyi’s’s â€Å"soup noodle – soup based vermicelli† product has become the fastest growth vermicelli brand where Tingyi is trying to target pink-collar workers in the city. With ever-changing consumer demands in China, Tingyi is continuing to increase results and market shares through structural adjustments of its products.